Robert Sheckley (1928-2005)
 
  Robert Sheckley was born in 1928 and grew up in New Jersey. As a child he became 
  fascinated with what he now calls "escape literature". 
  He grew up in New York and New Jersey, and served in Korea with the U.S. Army. 
  In 1951 he received an undergraduate degree from New York University and sold 
  his first short story. Writers who inspired him include Ray Bradbury, Theodore 
  Sturgeon and Henry Kuttner. He sold his first story in 1951. 
  
  During the 1950s the science fiction market was booming, with dozens of magazines 
  competing with each other. The prolific young author took advantage and quickly 
  became a major force in the genre.
  A huge number of his short stories appeared in magazines including Amazing, 
  Astounding, If, and Fantasy & Science Fiction. His most frequent contributions 
  were to Galaxy, sometimes using pseudonyms to disguise the fact he had written 
  more than one story in a particular issue.
  
  
His first collection 
  of stories, Untouched By Human Hands (1954), was hailed as one of 
  the finest debut volumes in the field. Other exceptional collections 
  from this era include "Citizen in Space" (1955) and Store of 
  Infinity (1960). Several of his early stories were also broadcast on the 
  radio show X Minus One. 
  By the 1960's the science fiction magazines were in decline, replaced by the 
  new paperback market. Sheckley had already started a series of well received 
  novels, among them "Journey Beyond Tomorrow" 
  (1962) and "Dimension of Miracles" (1968). However, he remains best 
  known for his short stories. At a time when science fiction was just starting 
  to grapple with the social implications of technology - from atomic bombs to 
  missile-carrying rockets  he turned a satirist's eye on the genre and 
  its concerns. 
"Sheckley at his best is Voltaire and Soda." Brian Aldiss
Like Ray Bradbury, 
  he was interested in the scientific apparatus of science fiction - space travel, 
  time travel, extrapolated futures - only so far as it served his purpose. While 
  Mr. Bradbury poetically mourns the failure to live up to our dreams of the future, 
  Mr. Sheckley mocked the self-delusions that lead to dreams in the first place.
  He reveled in the freedom the genre afforded him to dramatize the fears and 
  anxieties of everyday life. When he wrote about the war between the sexes, he 
  conjured a future in which disappointed lovers had the legal option of using 
  real bullets to express their anger. When he wrote about alienation as a state 
  of mind, he sealed the reader in an endless loop of disaffection that reduced 
  the outside world to a hallucination wrapped in an illusion. 
"My best advice is to give oneself up to wonderful madness." Harlan Ellison
Because he leavened his darkest visions with wit and absurdist plotting, he 
  is considered one of science fiction's seminal humorists, and a precursor to 
  Douglas Adams, whose "Hitchhiker's Guide to the Galaxy" (1979) seems 
  to take place in a Sheckleyan universe. But Mr. Sheckley's work is darker than 
  Mr. Adams's; the smiles he evokes leave a bitter taste on the lips. A better 
  comparison might be to Kafka, a fabulist who could never understood why his 
  friends didn't laugh when he read his stories to them.
  
  He traveled widely, and for part of the 1970s he lived on the island of Ibiza, 
  where he was a member of a loose-knit community of artists. He was notably less 
  prolific during this decade (he later wrote about suffering writer's 
  block) though it did produce some of his most adventurous work (best sampled 
  in the 1971 collection Can You Feel Anything When I Do This?)
  In the eighties Sheckley was fiction editor of Omni magazine for two years. 
  He also continued his "Victim" series of novels. 
  In the nineties he collaborated with Harry Harrison and Roger Zelazny. 
  By this time the demand for sci-fi short stories was low, but Sheckley still 
  appeared occasionally in themed anthologies. In this later work he sometimes 
  seems nostalgic for the pulp conventions he once subverted so brilliantly
  
  Sheckley's work has been translated into many languages, 
  and he is especially popular in Italy, Russia and Eastern Europe. 
Films based on his work include "The Tenth Victim" 
  (1965) and "Freejack" (1992).
  
  Those unfamiliar with his work might like to start with "Dimension of Miracles" 
  (perhaps his finest novel, now available in the omnibus volume Dimensions 
  of Sheckley) and The Robert Sheckley Omnibus (an excellent 
  collection of short stories from the 1950s).
This biography contains extracts taken from two excellent obituaries. One from the New York Times by Gerald Jonas, the other from the Oregonian by Mike Francis.